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On the hill of San Antonio Abad, within the walled enclosure

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and next to the Alcázar, or Alcazarejo of Don Juan Manuel,

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stands the majestic Collegiate Church of San Bartolomé.

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It was built

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on the remains of the old Visigothic parish church

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and, after Arab rule, was adapted to the Romanesque style of the time.

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In 1456,

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work began on its great transformation,

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which turned it into a flamboyant Gothic temple

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under the direction of the brothers Hannequin de Bruxelles

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and Egas Cueman, a Flemish master architect and sculptor.

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The work

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was completed in 1459, the year

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in which Pope Pius II, by papal bull,

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granted it the title and dignity of Collegiate Church.

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The Collegiate Church consists of three naves arranged in a Latin cross,

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with pointed arches and ribbed vaults, and is enhanced

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by a total of thirteen adjoining chapels.

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The high altar

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houses the tombs of the parents and grandparents of the Marquis of Villena,

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sculpted in alabaster in 1547 by the French master

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Gregorio Pardo Bigurny. They are depicted in a prayerful pose,

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their memory immortalised in stone.

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It is worth noting that the Collegiate Church of San Bartolomé

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preserves the oldest historical choir in Spain,

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carved in walnut wood by Egas Cueman in 1454,

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at the request of Don Lope de Barrientos,

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then Bishop of Cuenca.

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The baptismal font

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from the 15th century, in which I myself was baptised in 1527,

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was one of the reasons the Collegiate Church was granted

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the title of National Monument

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on 27 July 1947.
